[Preface: I guess with me lately, it's only music and science as blog post topics. It's what's keeping me together through law school. Trust me, music and science are by far the best, most interesting things I have going for me right now. You don't want posts on, say the implied obligation of good faith, or res ipsa loquiter or interpleader, do you? Didn't think so. Oh yeah, I get kind of emo in this post too. Sorry. Blame Elliot Smith. ]
One thing law school has given me is the chance to indulge in my music collection -- it's good study music! A recurring theme, when I read with my ipod on, is that my favorite albums inevitably conjure up stirring memories surrounding experiences I've had that are somehow associated with the music. I think that listening to music, like certain smells, are especially connected to memories; not always specific, sometimes just flashes of emotion.
For instance:
This song by the Dirty Projectors, reminds me of walking up to my house in DC. It's summertime and I'm really happy. I can see the railing on the front steps, wrought iron and painted white and if you leaned on it, it shed paint specks with reckless abandon. The sidewalk running in front of the steps was old brick, with sporadic upheavals making it look wavy and lived-in. I miss DC and the friends I made there...
Yes, that is Billy Corgan, and yes, this is his short-lived post-Smashing Pumpkins-star-vehicle Zwan. I was obsessed with this CD in high school, specifically junior year. I can remember playing this song in my '96 Mercury Mystique while driving down the cloverleaf from 494W to Highway 100. Weird, I know...
This is the prettiest, most haunting song off of one of my favorite albums of all time. Jeff Mangum, through his band Neutral Milk Hotel captured something crazy in this album, of which this track is the title song. He wrote the album after reading the Diary of Anne Frank (hence the fan-video montage) and never recorded another album. He didn't have to. I listened to this album while driving to and from college full blast so many times, the only thing that comes to mind is the swirling snow ever-present in the UP.
Every night after dinner as a kid, my dad, sister, and I would trek down to the basement, choose from either a Tom Petty or (most often) Bruce Springsteen tape, throw it in the boom box, and dance. Whenever "Dancing in the Dark" came on, we literal-minded youngsters would dim the lights and go crazy. Writing this now, I feel full of mom's meatloaf and the euphoria of being young, not knowing that I didn't have a care in the world, but not caring.
Songs are powerful devices. We all have songs that, as the Hold Steady so aptly say, get scratched into our souls. Some conjure odd, disjointed snippets of memory, others much more. But each means something, and that's all that matters.
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